Oil On Canvas, Real Flavor of Old Masters

All Velasquez 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
59558  
Abbot and hermit Paulo, Velasquez
  		 Abbot and hermit Paulo   mk267 1633 years linen canvas 261 x 192.5 cm Prado Museum in Madrid
59565  
Aesop, Velasquez
  		 Aesop   mk267 in linen canvas 179.5 x 94 cm Prado Museum in Madrid
59567  
Archbishop of Cape Verde, Velasquez
  		 Archbishop of Cape Verde   mk267 1640-1645 years linen canvas 63.5 x 59.6 cm National Museum of London
59501  
Assumption, Velasquez
  		 Assumption   mk267 1618 years linen canvas 135 x 101.6 cm London, National Gallery collection
59560  
Awes Telia, Velasquez
  		 Awes Telia   mk267 1634 years linen canvas 210 x 124 cm Prado Museum in Madrid
59571  
Bishop Maximilian, Velasquez
  		 Bishop Maximilian   mk267 1650 years linen canvas 76 x 58.5 cm National Museum of London
59544  
Carlos Prince Buster, Velasquez
  		 Carlos Prince Buster   mk267 mk267 1631-1632 years linen canvas 128 x 101.9 cm Art Museum of Boston
59559  
Carlos Prince Buster, Velasquez
  		 Carlos Prince Buster   mk267 1634-1635 years linen canvas 208 x 173 cm Prado Museum in Madrid
59552  
Christ on the Cross, Velasquez
  		 Christ on the Cross   mk267 1631 years linen canvas 248 x 169 cm Prado Museum Madrid
59528  
Dionysus, Velasquez
  		 Dionysus   mk267 1629 years linen canvas 1655 x 227.5 cm Prado Museum in Madrid
59566  
Dwarf Juarez, Velasquez
  		 Dwarf Juarez   mk267 1636 -1644 in linen canvas 107 x 83.5 cm Madrid Prado Museum
59575  
Female Textile, Velasquez
  		 Female Textile   mk267 linen canvas 220 x 289 cm Prado Museum in Madrid
59562  
Hunting De accepts Crown Prince Cady, Velasquez
  		 Hunting De accepts Crown Prince Cady   mk267 1635-1636 cm linen canvas 191 x 107cm Prado Museum in Madrid
59561  
In Austria Duke Varser, Velasquez
  		 In Austria Duke Varser   mk267 1634 years linen canvas 314 x 240 cm Prado Museum in Madrid
59534  
Jacob give Joseph a coat of blood, Velasquez
  		 Jacob give Joseph a coat of blood   mk267 1630 years linen canvas 213.5 x 284 cm collection of the Spanish monastery
59502  
Jesus and Maria Mada at home, Velasquez
  		 Jesus and Maria Mada at home   mk267 1619-1620 years linen canvas 60 x 103.5 cm London, National Gallery collection
59570  
Juan Sebastian, Velasquez
  		 Juan Sebastian   mk267 1644 years linen canvas 106.5 x 82.5 cm Madrid Prado Museum
59564  
Money Booth, Velasquez
  		 Money Booth   mk2671939 in linen canvas 178.5 x 93.5 cm Madrid Prado Museum
59500  
Omelette woman, Velasquez
  		 Omelette woman   mk267 linen canvas 99 x 128 cm National Museum of London
59568  
Our Lady of Dai Guanzhong map, Velasquez
  		 Our Lady of Dai Guanzhong map   mk267 1641-1642 years linen canvas 176 x 124 cm Prado Museum in Madrid
59576  
Palace lady, Velasquez
  		 Palace lady   mk267 linen canvas 105 x 88 cm Prado Museum in Madrid
59578  
Perrone Prince, Velasquez
  		 Perrone Prince   mk267 1659 years linen canvas 128.5 x 99.5 cm
59527  
Philip IV, Velasquez
  		 Philip IV   mk267 1623 linen canvas 198 x 101.5 cm Prado Museum Madrid
59556  
Philip IV, Velasquez
  		 Philip IV   mk267 linen canvas 195 x 110 cm London, National Gallery collection
59572  
Pope Innocent X, Velasquez
  		 Pope Innocent X   mk267 1650 years linen canvas 82 x 71.5 cm Wellington Museum London
59577  
Princess Margaret, Velasquez
  		 Princess Margaret   mk267 1659 years linen canvas 129 x107 cm
59573  
Princess Marian, Velasquez
  		 Princess Marian   mk267 1652 years linen canvas 234 x 132 cm Prado Museum in Madrid
59574  
Princess Marian, Velasquez
  		 Princess Marian   mk267 1653 years linen canvas 127 x 98.5 cm Dallas Museum
50521  
Smelt Factory, Velasquez
  		 Smelt Factory   mk212 1630 Oil on canvas 222.9x289.9cm
59504  
St. John in Bai Temu Si, Velasquez
  		 St. John in Bai Temu Si   mk267 1619 years linen canvas 135.5 x 102.2 cm London, National Gallery collection
59498  
St. Thomas, Velasquez
  		 St. Thomas   mk267 Years 1618-1620 linen canvas 105 x 85 cm Orleans Museum of Art Collection
59555  
St. Thomas s confusing, Velasquez
  		 St. Thomas s confusing   mk267 1631 years linen canvas 244 x 203 cm London, National Gallery collection
59523  
The Louise Asia gram raises, Velasquez
  		 The Louise Asia gram raises   mk267 linen canvas 50.3 x 40.5 cm collection of the Boston Museum of Art
59516  
The spirit of Christ and supervision, Velasquez
  		 The spirit of Christ and supervision   mk267 1628 years linen canvas 165 x 206 cm National Museum of London
50874  
The Warter-seller of Seville, Velasquez
  		 The Warter-seller of Seville   mk216 Oil on canvas
52738  
The Water-seller of Seville, Velasquez
  		 The Water-seller of Seville   mk223 Oil on canvas
59499  
Those who sell water, Velasquez
  		 Those who sell water   mk267 Years 1618-1622 linen canvas 107.7 x 81.3 cm Wellington Museum London
59514  
Three Oriental doctor's blessing, Velasquez
  		 Three Oriental doctor's blessing   mk267 1619 years linen canvas 203 x 125 cm Prado Museum in Madrid
59537  
Vulcan s smelter, Velasquez
  		 Vulcan s smelter   mk267 1630 years linen canvas 223 x 290 cm Prado Museum in Madrid
59569  
Yage Arab League are many, Velasquez
  		 Yage Arab League are many   mk267 1644 years linen canvas 106 x 82.5 cm Madrid Prado Museum
Velasquez
1599-1660,Spanish painter. He was apprenticed to Francisco Herrera the Elder before being trained by Francisco Pacheco. His early works were mostly religious or genre scenes. After arriving in Madrid in 1623, he painted a portrait of Philip IV that won him immediate success and an appointment as court painter. His position gave him access to the royal collections, including works by Titian, who exerted the greatest influence on his style. In his portraits from this period, only the faces and hands of the figures are accentuated, and the dark figures stand out against a light background. A visit to Italy (1629 ?C 31) further developed his style, and on his return to Madrid he entered his most productive period. Velazquez created a new type of informal royal portrait for Philip hunting lodge, and his portraits of court dwarfs display the same discerning eye as those of his royal subjects. On a second visit to Rome (1649 ?C 51) he painted a portrait of Pope Innocent X. The powerful head, brilliant combinations of crimson of the curtain, chair, and cope are painted with fluent technique and almost imperceptible brushstrokes that go far beyond the late manner of Titian and announce the last stage in Velazquez development. This portrait was copied innumerable times and won him immediate and lasting renown in Italy. In his last years he created his masterpiece, Las Meninas (The Maids of Honour, 1656). In this casual scene, the artist is shown painting the king and queen in the presence of the infanta Margarita and her attendants; the nearly life size figures are painted in more or less detail according to their relation to the central figure of the infanta and to the source of light, creating a remarkable illusion of reality never surpassed by Velazquez or any other artist of his age. He is universally acknowledged as one of the giants of Western art.



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